Posts tagged with inspired by dance

Ik kijk, ik kijk weg*

maart 31st, 2020

Ik kijk
Ik kijk weg
Een hand
Een hand op een kuit
Zoekend naar contact
Schuchter schurend
Over huid

Ik kijk
Ik kijk weg
Om me heen zoekend
Onderwijl voelend hoe
Jouw hand
Jouw mond
Mij onderzoekt
Mij aftast

Wil ik dit?
Wil ik dit wel?
Wil ik jou voelen?
Wil ik jouw zoen?

Ik grijp je
Ik vergrijp me
Aan jou
Terwijl ik wegkijk
Terwijl ik wegdroom
En langzaam thuiskom
Bij jou

  • Door Jochem Naafs. Geïnspireerd door Scopophilia van Fanny Vandesande en Robin Vanden Bussche. Eindhoven, United Cowboys: Seasoning Spring/Lente 2017, 17 maart 2017.

The intimacy of bright blue bodies*

maart 3rd, 2020

Bright blue bodies on white wide canvas
Anonymous encounters
Close, very close, but never intimate
Full on, hard-core anonymity
Skinless sexuality
Posing for
Exposing for
Anyone to see

Touch, touch
Never really touch
But feel touched nonetheless
Moan, groan
Never really go
Into touch nonetheless

We enjoy
We enjoy the feeling
We enjoy the sensation of pleasure
We allow the flow of sex
Naked sex
Heard by you and me
And I see only faces
Faces that feel and peel off
The action of coming

Until only the imagination is left
For us to dance to
For us to jive too
To smile and live
To come
To come to be
To come to be alive
And see each other in the eye

Enjoy being
Enjoy being together
I dance because I want to dance
I dance because you want to dance
I dance because you want me to dance
And dance and dance
And smile and dance
And clap and dance
And jump and dance

I don’t see any chance
To escape
To leave
To leave the intimacy of bright blue bodies
On white wide canvas
To escape
The left over sex after coming

* Inspired by To Come (Extended) by Mette Ingvartsen. Utrecht: May 17 2018. Author: Jochem Naafs

Quadrupedal*

februari 25th, 2020

On all fours, all aligned
He stands here and it’s all fine
A right leg rises, an effect on an arm
Whenever it moves there is an alarm
Another limb must move, another end moves up
Fast or slow, bottom or top
Fingers and toes, they all seem to know
Which way to go and when
When he sits down, I wonder why I am bipedal

*Inspired by Fine Line by Šuka Horn. Rotterdam: Dansateliers/ One Night’s Dance: December 7th 2019.

Slowly, very slowly*

februari 25th, 2020

Slowly, slowly you rise
White light, bright light
And while we wait
And the light flickers
You speak.

Ununderstandable words
Alienating appearance
Unknown to most
You practise, you practise
Wearing the other sex.

Vierter Tag:
Dressing up to appear for a generating god
– Of all species, of man and woman, of nothing in between –
That wanders the earth in circles to the beat of the bass.

And the white-shirted, beard-braided priest
And the red-skirted, high-heeled lady
Challenge the norms
Cross-dressing shoes
For now.

Circling goatees
Circling ponytails
Reconfiguring species
Reconfiguring spaces
In between

Aligning the binary into the chaos of trans
The non-orderly, the non-ordinary bodies
Organic materials
Tattooed and scarred
Projected and doubled
Uncontrollable voids
Of nothingness.

Black holes of ununderstandable fluid nudity
Recreated, regenerated from within
To be able to match
To be able to get rid of
This other body
This other sex
To be able to embrace
This other body
This other sex
To the fullest extent
And beyond.

Merging through
Cross-dressing
Merging through
Colliding
Merging through
Bumping
Through caressing
Through rocking
Through braiding.

And slowly, slowly you rise
And come at ease
With each other
With yourself
With all attachments
With all attached
And connected.

And slowly, very slowly
You leave
You leave us to rethink
The norm.

*Inspired by Körper Körper, NEON (Nanna Hanfgarn Jensen & Leon Emil Franzke). Arnhem: Theater aan de Rijn, May 10th 2017.

Next to each other*

februari 25th, 2020

Two men on stage
Sitting
Both sitting
They are both sitting
Still

Two men on stage
Moving
Both moving
They are both moving
Still

Still they are moving
On their chairs
On their stage
To the sound of
No music

A score in a notebook
The rhythm
The tempo
A score in a notebook
The words
And numbers
The words
Are actions
The words
Represent actions
And they
They are
Acting

Two men on stage
Both bold
Almost
Wearing identical shoes
Almost
Moving identically
But just

Hand gestures
And arm gestures
And poor gestures
Rich gestures
No legs
They are too expensive

Two men on stage
Sitting
Both sitting
They are both sitting
At home

Rehearsing and repeating
Repeating and rehearsing
They are not meeting
Yet
They are not meeting
Often
They are just sitting
Next to each other
And moving

* Inspired by Both Sitting Duet, Jonathan Burrows & Matteo Fargion. Arnhem: Theater aan de Rijn: February 1st, 2016.