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	<title>playful performance &#187; Jack Gallagher</title>
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		<title>Research Jack Gallagher</title>
		<link>http://www.playfulperformance.nl/2009/research-jack-gallagher/</link>
		<comments>http://www.playfulperformance.nl/2009/research-jack-gallagher/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 13:29:01 +0000</pubDate>
		<dc:creator>Jochem</dc:creator>
				<category><![CDATA[dans]]></category>
		<category><![CDATA[dramaturgie]]></category>
		<category><![CDATA[theaterwetenschap]]></category>
		<category><![CDATA[danslab]]></category>
		<category><![CDATA[Jack Gallagher]]></category>
		<category><![CDATA[performative speech act]]></category>

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		<description><![CDATA[From November 10th untill December 20th I&#8217;ll be working with choreographer and dancer Jack Gallagher on his research at Danslab. Jack Gallagher on the Danslab website: In Danslab I aim to find some missing links between the communication rules we traditionally come to expect in public space and the language of dance. I will focus [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">From November 10th untill December 20th I&#8217;ll be working with choreographer and dancer <a href="http://www.bodiesanonymous.nl/" target="_blank">Jack Gallagher</a> on his research at Danslab.</p>
<p style="text-align: justify;">Jack Gallagher on the <a href="http://www.danslab.nl/" target="_blank">Danslab website</a>:</p>
<blockquote>
<p style="text-align: justify;">In Danslab I aim to find some missing links between the communication rules we traditionally come to expect in public space and the language of dance. I will focus on the gap between dance practice and the expectations of an audience who are not immediately privileged to the dance culture. A new ground zero for the performative mover. I want to develop a new line from the Counter Technique, developed by Anouk van Dijk during the past 12 years when I was a main proponent, with expert contributions from linguistics/psychology/philosophy. I will draw a new map for my composing method using Performative Speech Act Theory, Peter Sloterdijk&#8217;s spatial modeling &amp; Lacan&#8217;s logic of discourses. The main question from Performative Speech Act Theory is -What do we do by saying? I will turn this around- What do we say by doing dance? I&#8217;m looking to materialize my hunch about the dialectics of dance between body and meaning. Through Lacanian theory, I will tackle the issue of how dance often says too much!</p>
<p style="text-align: justify;">Collaborators:<br />
Matthew Kelly Roman (dancer)<br />
Diane Elshout (research assistent)<br />
Jochem Naafs (dramaturgy)<br />
Derrick Brown (advisor)</p></blockquote>
<p>More information will follow soon.</p>
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